Born in Wales 100 years ago, actress Peggy Cummins is best remembered for her turn as the gun-toting bank robber in the 1950 noir Gun Crazy. But that same year, British critics preferred her starring ...
Ring in the new year with a trio of Buñuels, a wealth of Wisemans and a subscription exclusive: Marion Cotillard in the acclaimed dark fairytale The Ice Tower.
Ari Aster's Eddington, in which Joaquin Phoenix's conspiracist sheriff and Pedro Pascal's tech-friendly centrist lock horns in an election, lays bare the deep divisions in the American psyche. The ...
Joachim Trier's melancholy, playful film, which examines the reckoning that takes place between a selfish film director and his estranged daughters in the wake of their mother's death, is exquisitely ...
No filmmaker has been as preoccupied as Cronenberg by flesh and the many ways it can be transformed. In his latest film, the 82-year-old looks at the last transformation flesh undergoes, through the ...
James Cameron’s sprawling ensemble piece sees the Na’vi fighting against diabolical human colonisers once again, but it’s more concerned with scale than sophistication.
Now in its ninth year, our annual poll showcases 255 vital video essays, nominated by 72 international voters.
Director Josh Safdie has pulled together a vibrant gallery of New York characters for a never-say-die American story that’s bursting with humour and that trademark Safdie kineticism.
As a new collection curated by Sofas & Stuff arrives on BFI Player, we spoke to the Sofas & Stuff team about their favourite festive films and viewing traditions.
Alfred Hitchcock often preferred sets to real locations and – eerily empty of actors and action – these photographs show his constructed backdrops for the Highlands, train and Palladium sequences of ...
Director Anuparna Roy searches for intimacy in the urban isolation of Mumbai with a slight, dreamy feature that unfolds like a series of memories.
In an era when Hollywood was driven by special effects, Reiner’s greatest trick was making human-scaled comedies and dramas that were warm, slyly subversive and improbably likeable.