Paul du Quenoy on On Cole Porter’s “Kiss Me, Kate” at the Barbican Centre, London.
But in the London Review of Books, Mark Ford writes that the letters of the World War I poet Wilfred Owen, edited and released anew, reveal the impetus for his writing poetry—to describe the nearly ...
How the 1960s Turned Into a National Nightmare and How We Can Revive the American Dream” by Timothy S. Goeglein.
O ne sign that a fundamental change is in the offing would be a new commitment to free speech. Unfortunately, that is one ...
Stundytė is a Lithuanian soprano, like another star at the festival, Asmik Grigorian. (The latter has an Armenian father.) ...
I t seems that the universe has a dark sense of irony.
The book’s plot pitted Bond against Mr. Big, a black gangster and voodoo leader working for SMERSH, the Soviet ...
Glenn Ellmers on the shortcomings of “Democracy in America” today.
On the life & work of Robert Louis Stevenson.
On In the Company of Art: A Museum Director’s Private Journals by Perry T. Rathbone, edited by Belinda Rathbone. Back before ...
The notebook in which he wrote these words on the day of her death turned out to be the first of many; the habit of ...
James Bowman on the spectacle of the Democratic National Convention.
Some results have been hidden because they may be inaccessible to you
Show inaccessible results
Feedback