A slick, agile show that takes on the fall of man, corporate corruption and the loopholes of the financial system. The ...

A bizarre love quad that does not end how you think it will. Aiden Monks' first foray into writing has produced an ...

Total darkness, a set of headphones and a lift going further and further down. These are all the things I can really say are ...

An exploration of memory, intergenerational trauma and the way we talk about the Holocaust, Because You Never Asked is a ...

An elegant study in the bittersweetness of nostalgia, Yonder Contemporary Dance Company’s movement piece is at times ...

Nostalgia is not quite enough to hold the weight of Club NVRLND, a new take on Peter Pan. This drag-theatre show aims high but falls flat as Peter turns 30.

My first conscious memory of the music of Ludwig van Beethoven (1770-1827) was in the summer of 1976 when as a 15-year-old ...

More exhibition than theatre, Anne Boleyn the Musical is a fun outing for English history buffs who aren’t too rigid about historical nuance or anachronism a ...

It appears I was in good company going into this show – a director’s note from Lisa Peterson in the production’s programme ...

A deft and unassuming story of medical negligence, gaslighting and pain, Anatomy of Pain is a well-written and slickly ...

The Immersive Movie Musical, I wasn’t entirely sure what to expect, but I certainly wasn’t disappointed. From the moment we ...

This is the third work written by young playwright, Samuel Winner, and forms part of the 2025 Camden Fringe offering. It is ...