Time and time again: recent works by Elisabeth Subrin and Zia Anger join a lineage of women’s films that invite us to witness ...

Scenes from the class struggle: a new repertory series at MoMA asks its viewers to connect Portugal’s political revolution to ...

Milestones: a new book republishes a free-flowing conversation between the noted French critic and the American filmmaker ...

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Johan Grimonprez's Soundtrack to a Coup D'Etat is a grim, exciting history lesson that announces itself with percussive ...

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Here at Film Comment, we live by Serge Daney’s motto: “Cinephilia is not only a particular relationship to cinema, it is a relationship to the world through cinema.” We love moving images because they ...

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Within moments of meeting a woman on a train, Norman Oppenheimer offers—unsolicited— to introduce her to three prominent people. That’s how Norman operates: he’s a “fixer,” a seemingly well-connected ...

I had not paid close attention to what Almodóvar was up to during what I call his “Hollywood” period: not that he “went Hollywood,” but the films that start with Women on the Verge of a Nervous ...

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