Welcome back to part three of this guide. We’ve already covered a deep overview of the Mamiya RZ67 Professional system as well as a look at the system’s film holder options. For part three, I’ll be ...
NASA’s photographic documentation of their 20th century race to the Moon forms part of one of the most significant historical records of our time. The photographic films and cameras used were arguably ...
In 2013 I got my first Polaroid camera, and since then I have been journeying into the world of instant film. From the inception of the Impossible Project to its recent merger, I eagerly followed the ...
In this article, I’ll be showing you how to very simply modify your Fuji medium format rangefinder to shoot wide-format 35mm film (aka make your own TEXPan). It doesn’t matter if you have the very ...
The Pentacon Six TL is a phenomenon of a camera. When I first got mine, I almost fell in love with it, because I liked the idea of shooting 6×6 and was fascinated by the bulky yet somehow elegant ...
When it comes to autofocusing manual lenses on film cameras there is really only one option: the unique and relatively short-lived CONTAX AX. Chunky sibling of the CONTAX RX and RTS cameras, the AX ...
Some people don’t print their colour films in the darkroom because they’re scared about the complexity, but it’s not as horrible as you might think. Aside from the need for a dedicated colour ...
The Olympus 35 SP holds a SPecial and somewhat privileged status in my pretty modest camera collection. For around seven months it has been almost the only 35mm camera I have used (the main exception ...
The previous section of this series covered the early generations of lenses for the Hasselblad 500 series (500C, 500CM, etc.), 200 and 2000 series cameras. I began by stating that in its V-System, ...
Several years ago, a coworker friend of mine bought an original Mamiya Press camera and brought it in to work so others and myself could take a look at it. I’d never seen a camera like it before, only ...
Fuji Velvia 50 is my favourite colour film. The colours, saturation and contrast are unique. It’s especially good for golden hour colours around dawn and sunset. And finally, nothing beats seeing ...
Instant Pinhole photos are almost an oxymoron. The film process with the fastest feedback loop coupled with the film process with the longest exposure times. Does it make sense? Well, yes it does, ...
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